Nau mai, haere mai, welcome to EyeContact. You are invited to respond to reviews and contribute to discussion by registering to participate.

JH

Art Brut in Beresford Square

AA
View Discussion
Invitation

Though some claim these drawings indicate deep thought and interpretation, it is difficult to substantiate such notions, though they certainly are accomplished. We don't understand enough about what causes the pleasure of their making (assuming that is the case) or the motivations behind the channelling of the necessary creative energy to know whether they are profound or not, or if we are projecting interpretative fantasies of our own.

Auckland

 

Susan King
Introducing Susan Te Kahurangi King
Curated by Aaron King-Cole and Sophie Oiseau

 

1 July - 23 July 2010

We have here a fascinating exhibition by ‘Outsider’ artist Susan King in this Newton gallery - mainly pencil and biro drawings that she has been obsessively making on a daily level for several decades, ever since she was a preschooler. She is nearly sixty, and apparently did stop for twenty-three years, but now she has restarted, using strong colour - something that never interested her earlier. Have a look at her family run website, and you’ll see that they are similar to the work by other artists in the ‘Outsider’ (Roger Cardinal’s pioneering term) or ‘Art Brut’ (Jean Dubuffet’s name) genre, image producers who often work compulsively while in institutional care for their various mental disabilities. Scottie Wilson, Henry Darger, Madge Gill and Adolf Wolfli are the most famous examples.

The original pencil works displayed, mostly framed and under glass, are quite special in their use of entangled and undulating, freefalling, spilling rhythm. There is an ad hoc quality to some in the way they seem to have been finished abruptly, or had slightly discordant colours added in isolated corners. Others though are beautifully resolved, and dense with detail in the form of spiralling little bars, sinewy pulsing waves, and spiky vegetative forms of intense colour. Often cartoon animals from Disney and Warner Brothers dominate their tumbling, whimsical, highly inventive compositions.

Some are unnervingly similar to early Bill Hammond drawings - domestic scenes of suburban neurosis - but possibly even more intense in their twisted over, angular physiognomies.

Though a caption in this article claims these drawings indicate deep thought and interpretation, it is difficult to substantiate such notions, though the unpremeditated images (of which they all seem to be) certainly are accomplished through having a sense of compelling resolve. We don’t understand enough about what causes the pleasure of their making (assuming that is the case - for she never speaks) or the motivations behind the channelling of the required creative energy, to know whether they are profound or not, or if we are projecting interpretative fantasies of our own.

However the twenty or so loaned unique works here are well worth a visit. While there are Giclee reproductions of the individual items for sale at the desk for cheap prices, their colours and feel are quite inaccurate and deserve to be ignored. It is the original pencil and biro drawings that repay spending quality time with.

John Hurrell

 

Print | Facebook | Twitter | Email

 

Recent Posts by John Hurrell

JH
Julian Hooper, Sisters, 2019, acrylic on canvas, 300 x 460 mm

Hooper’s Faces of ‘Ribbon’

IVAN ANTHONY GALLERY

Auckland

 

Julian Hooper
The Room Takes Shape

 


8 May - 1 June 2019

JH
Marlee McMahon, M-tooth, 2019, acrylic on canvas (2 panels), 705 mm x 610 mm (left); 845 mm x 720 mm (right)

Aberrant Abstraction

BOWERBANK NINOW

Auckland

 

Marlee McMahon
Carbonated

 

2 May - 1 June 2019

JH
Yonel Watene, Hongi, 2019,  Macrocapa, Ash, Kauri, Redwood, Pine, Tawa; Linseed, Teak and Danish oils; turpentine, oil paint, carnauba wax. lmage courtesy of ArtsDiary

Two Seas Simultaneously

ST PAUL St Gallery

Auckland

 

Group show
Two Oceans at Once

15 February - 17 May 2019

JH
Gavin Hipkins, The Valley (2019), digital video still, 14 minutes.Image courtesy of the artist and Starkwhite.

Hipkins’ Devonshire Video

TE URU

Titirangi

 

Gavin Hipkins
The Valley

 


23 February - 2 June 2019